In the Echo Park neighborhood of Los Angeles, everybody is somebody else. May, a single mother who delivers strip-O-grams, dreams of being an actress. She rents one of her rooms out to a pizza-man cum songwriter named Jonathan. Meanwhile, in the next apartment, August, an Austrian bodybuilder, fancies himself the next Arnold Schwarzenegger. As the pressures of everyday life in LA mount, Jonathan and August vie for May’s love.
A bored New Jersey suburban housewife’s fascination with a free-spirited woman she has read about in the personal columns leads to her being mistaken for the woman herself and into a chaotic adventure of amnesia and self-discovery.
Architect/vigilante Paul Kersey arrives back in New York City and is forcibly recruited by a crooked police chief to fight street crime caused by a large gang terrorizing the neighborhoods.
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett ventures downtown for a hookup with a mystery woman.
At its core, “Punks and Poseurs” is a narration-free concert film, but it’s cut with terrific interview footage that explores the changing nature of punk, from insider and outsider perspectives. There’s a lot of great footage with writer/performers Pleasant Gehman and Iris Berry, torpedoing the influx into the music scene of neophyte phonies who just didn’t get it, explaining title of the program. (After this first aired in 1985, a bunch of the new waver/Durannie chicks at my high school—which is to say all the girls who were trying their suburban Ohio best to look like Gehman and Berry—started calling everyone “poseurs,” which was pretty funny.) There’s also a hilarious interview with employees at a store called “Poseur,” which sold punk fashions and accessories—people had to get that shit somewhere before Hot Topic forever banished punk to the mall, no? Also keep an eye out for the kid giving a primer on how to fashion liberty spikes with Knox gelatine.
When two bumbling employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to rise again as zombies.
When a young journalist dies in violent circumstances, her brother soon learns, by way of the mysterious Stefan Crosscoe, that his sister has succumbed to the werewolf curse.
Clue finds six colorful dinner guests gathered at the mansion of their host, Mr. Boddy — who turns up dead after his secret is exposed: He was blackmailing all of them. With the killer among them, the guests and Boddy’s chatty butler must suss out the culprit before the body count rises.
Two unpopular teenagers, Gary and Wyatt, fail at all attempts to be accepted by their peers. Their desperation to be liked leads them to “create” a woman via their computer. Their living and breathing creation is a gorgeous woman, Lisa, whose purpose is to boost their confidence level by putting them into situations which require Gary and Wyatt to act like men.